In the 1960s when Joan moved to the Imperial House was considered very modern with it's white brick, low ceilings, terraces, and sliding glass doors - and more desirable than the older pre-war apartment buildings that didn't have these "mod conveniences". I suspect you may be judging Joan's apartment in the photo (which appears to be the five-room apartment at the Imperial where she lived at the time of her death) but modern standards. But her original apartment nine-room apartment at the Imperial House was still quite large and glamorous. Joan obviously left the expensive apartment she remodeled and shared with Al Steele after his death, because she couldn't afford to continue to stay there. Joan even admitted she was "Harriet Craig" in her later years. The plastic was all over ever piece of furniture to protect it from wear and tear. Joan kept her apartment very tidy just like all her other places. This unit only cost her $85,000 a big difference from the $500,000 she paid for the nine-room unit. Joan left her nine-room apartment at the Imperial house and downgraded to a 5-room apartment in 1973. Joan would live there for the next six years. Joan also loved her books and had bookshelves that went floor to ceiling loaded with books. The accent colors are green on chairs, rugs and pillows. The canary yellow runs also into the kitchen/dining area. Matching the sofas with the drapes was a must if you look back at all the houses she had lived in. The sofas were a bright vivid yellow and so were the drapes. One again, the walls were white but the furniture had some color to it. Joan moved out of the apartment on 2 East 70th Street, where she had lived with Al Steele, and into a nine-room apartment into the Imperial House at 150 East 69th Street, which is between Lexington Ave and 3rd Avenue. When she sat down for a moment, Joan turned to one of my assistants and screamed, "Get that bitch off my sofa!" "You're the one who acted like a bitch!" I told her after I learned of the episode. Joan was at her tyrannical worst during what surely must have been one of the most grueling assignments of Bettina's career. I had asked Bettina Cirone to pinch-hit when I learned that Champion couldn't make the appointment. The result was the only argument I had with her in twelve years. I could not ignore her rudeness to a photographer called in to replace Richard Champion, who had originally been assigned to photograph the apartment and couldn't keep the appointment. Little did she realize that Architectural Digest would have photographed her life style had she lived in one room with a rollaway bed and a catbox in the corner, people were that curious about how La Crawford lived. She could not understand why anybody would be interested in them. The three of us sat in her austere living room and watched her at her glittering best as she regaled us with some amusing anecdotes about the late Billy Haines, and about her life and surroundings, which she insisted were modest. In their place were the elaborate dressing gown, the perfect makeup and coif, and out came the Dom Perignon. Gone were the housedress, the ponytail, and the vodka. Nevertheless, by the time Paige arrived with her escort, Jacques Camus, general manager of the Regency Hotel, Joan had pulled herself together and greeted them as the old familiar Hollywood movie star. Under each vase was a neatly folded terrycloth towel to keep the floor from getting water-stained.Īrchitectural Digest wanted to photograph Joan's Imperial House apartment, and Joan had invited me and my good friend, Paige Rense, the magazine's editor-in-chief, for cocktails. She also liked fresh flowers, and the floors of her apartments always held a few vases of blooms sent by admirers. Joan loved plastic plants and flowers - they didn't shed and were so easy to clean. Again we installed the stall shower and covered the windowsills with plastic laminate and planted a plastic garden of bamboo shoots lighted from below. I was to plan the decor, but this move was not as upsetting as the first. The cooperative market was in decline at the time, and she was able to scoop up a real bargain, buying the apartment for something like $85,000. She decided to pare down her life style once more and bought a two-bedroom apartment just down the hall. Then Imperial House became a cooperative. Joan lived in her nine-room apartment for about seven years. Apartment description from Carl Johnes' 1979 book "The Last Years". After living in the 9-room apartment 22-G in Imperial House from 1967 to 1973, Joan moved into the 5-room apartment 22-H in September 1973, where she lived until her death in May 1977.
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The white flower in my gardenĪt home that afternoon, after he left to go to the bar, I went to the garden to cheer myself. I held back my tears because addiction was the invisible guest sitting at the table with us. Soon he would join his friends to drink, like he did every single afternoon, every single day of the year. But in that moment, I loved him, though I knew our time in his presence was winding down. He either didn’t know I was looking at him or chose not to look back at me. As we played, I studied him – all the ways he was beautiful to me, even though he had hurt me so very much for so very long. He was seated at one end of the table, I at the other. Playing a quarters gameĪfter lunch at his family’s house, we played a dice game with quarters. So I dropped the issue, but felt so discouraged that emotional abuse was present even on the holiday. Tiptoeing on eggshells, knowing a blowup was possible, I cautiously asked him, “Why did you mix the nuts together?” He gaslighted me as he had so many times before: “I didn’t” – and his tone held a clear undercurrent of contempt. On Christmas morning, I saw he had mixed hazelnuts into the walnuts and curiously placed the hazelnut package face up on the surface. Then the memory photos of last December 25 played in sequence in my mind: The plastic container of nuts This relationship is now destroyed due to narcissistic abuse that reared its ugly head this year, because my family has betrayed me and sided with my ex. Through this instrumental music, I was whisked back to nursing homes and hospitals in the late 1990’s where I played Christmas music with my mom – she on harp, me on flute. As God often does, he used music to pluck the strings of my high sensitivity to stir my memory and lead me in a Sunday morning journey of grief. On Twitter, I saw a video by Karl Kohlhase, a talented musician who I enjoy following. Instead, I want to paint the most vivid picture of how grief feels to a person with both high sensitivity and a photographic memory. The details are highly personal, but I share them not to vilify anyone. It’s easiest for me to tell you how my grief is harder with these things by taking you through a thought and feeling thread I experienced this morning. #encouragement #grief #hsp #photographicmemory Click To Tweet A Story of How a Photographic Memory and High Sensitivity Make Grief Harder How a photographic memory and high sensitivity make grief harder: encouragement for you. Still, in this second round of grief of the original trauma, they make things much, much harder. But both traits make me a much better artist, writer, and speaker than I would be without them. The highs are higher, and the lows are definitely lower. My high sensitivity is also a blessing and a curse. I have many thousands more photographic memories in rich detail from that time onward, particularly regarding emotionally charged moments. I have a full five-sensory catalog of the moment in the February 1979 blizzard, when I was looking out on the white world and worrying about my daddy out in the cold. My first memory is from when I was only sixteen months old. My photographic memory is both a blessing and a curse. And, I’ve learned that my photographic memory and high sensitivity make grief harder for me than it is for many other people. In this hard, hard year of divorce recovery and betrayal trauma, I’ve been learning more about grief than I ever wanted to learn. The American culture isn’t comfortable with grief, so we haven’t learned to handle it well. How a Photographic Memory and High Sensitivity Make Grief Harder It’s therapy for me as much as a hope that it ministers to you if you are grieving this season. 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Burrow-Boyd connection increases Bengals' lead | Cincinnati 34, Steelers 23Īfter being pinned inside their own 10-yard line, the Bengals marched down the field after a quarterback Joe Burrow found wide receiver Tyler Boyd for a 27-yard completion to get the drive going. Burrow threw three of his touchdown passes to Perine and the other to wide receiver Trenton Irwin. Quarterback Joe Burrow completed his third-ever game with four passing touchdowns. Samaje Perine, Joe Burrow mark career daysīengals running back Samaje Perine became the first Cincinnati running back to ever record three receiving touchdowns in a game. Kicker Evan McPherson converted a 44-yard field goal after Cincinnati ran out as much clock as possible. The Bengals took over after a failed 4th & 19 by the Steelers. 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Billar - Pool Billiards Pro is a billiards game with direct and fun mechanics that allows you to experience different play modes from the comfort of your Android device. Well written bug reports help us help you! Need Help? #įor questions on how to use ng-zorro-antd, please post questions to using the ng-zorro-antd tag. If you're new to posting issues, we ask that you read How To Ask Questions The Smart Way(This guide does not provide actual support services for this project!) and How to Ask a Question in Open Source Community and How to Report Bugs Effectively prior to posting. Feel free to report bugs and issues here. If you'd like to help us improve ng-zorro-antd, just create a Pull Request. We list some users here, if your company or product uses ng-zorro-antd, let us know here! Contributing # Introduction System Requirements Browser Compatibility NPM Packages API Reference Release Notes Installation and Upgrade Licensing Getting Started Angular CLI Angular SystemJS Angular with ASP.NET Core Angular with ASP. I get the error: This version of CLI is only compatible with Angular versions 13.0.0, but Angular version 12.1.5 was found instead. You can also install ng-zorro-antd with npm or yarn $ npm install ng-zorro-antd Companies using ng-zorro-antd # Ionic Framework gambarle1 April 6, 2022, 2:31pm 1 After update to Ionic CLI 6.18.2 I cannot build app to Android device. Command-line terminal (CLI): FYI Windows users, for the best Ionic experience, we recommend the built-in command line (cmd) or the. We recommend using to install,it not only makes development easier,but also allow you to take advantage of the rich ecosystem of angular packages and tooling. 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If you set an Audio cue to target an AIFF or WAV file with preexisting markers, those markers will automatically appear in QLab as slice markers. You can also click and drag within the waveform to highlight and select a section of the track, which will cause the Add Slice button to place slice markers on both sides of the selection. Note that slice markers cannot be closer together than. You can click the handle at the top of the slice marker and slide it left and right along the waveform to adjust its position, or click on the handle and then enter a value manually in the text field that appears on the left. To loop a slice infinitely, type 0, inf, or in fact any text that is not a whole number. The play count will default to 1, but you can easily edit the count of an individual slice by double-clicking the number at the bottom of the slice and entering a value. The green numbers which appear along the bottom of the waveform view are play counts for each slice. A section of the cue between two slice markers, or between a marker and the start or end of the cue, is a slice. A green marker, called a slice marker, will appear. To create a slice, click in the waveform view and then click the Add Slice button to the left of the waveform, or use the keyboard shortcut M. To do this, you create slices within the cue and set each slice to loop as needed. The Play count and Infinite loop options can loop the entire sound file, but QLab can also loop specific sections of the file. You can zoom in and out using the + and - buttons to the right of the waveform, or by scrolling vertically. The center of the Time & Loops tab shows a waveform view of the target audio file. Starting with QLab 4.1, these options are available whether or not the cue contains slices. Alternately, you can select Infinite loop, right below Play count, to loop the sound indefinitely. You can change the play count to any whole number to loop the sound file that number of times. The default is 1, meaning that the sound file will play once through and then stop. Play count is the number of times that the sound file will be played when the cue is run. You can click in waveform view, or preview the cue and then pause it, and then use the keyboard shortcut ⇧I (“I for in”) to set the start time, or ⇧O (“O for out”) to set the end time.You can drag the start and end time markers, which are downward-pointing grey triangles at either end of the waveform view. You can type values into the start time and end time text fields.You can set the start and end times in three ways: The Basics and Triggers tabs are the same for all cue types, and you can learn more about them from the page on the Inspector in the General section of this documentation. When an Audio cue is selected, six tabs will appear in the Inspector: MP3 (Because MP3s have inherent timing problems, we do not recommend using them.).All Audio cues within a sequence play in sample-accurate sync as long as they’re assigned to the same output patch.Īudio cues may target any file type supported by Core Audio, Apple’s audio framework, but we recommend the following types: When an Audio cue is triggered, it begins playing its target file. Audio cues must have a target, which is a sound file on your computer, and an output patch, which is a sound output destination such as your computers’ speakers, headphone jack, or an audio interface. Audio cues allow you to play sound files with precise control over timing, levels, and routing. |
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